July 22, 2026 - Sony introduces the “FX5,” a new full-frame camera in its Cinema Line series. The camera is equipped with a newly developed fully-stacked CMOS image sensor and further enhances sensitivity performance^[1] through 15+ stops of dynamic range, a Dual Gain Shooting^[2] mode, and three base ISO settings. For the first time in the Cinema Line FX series, it supports Open Gate shooting as well as in-camera recording in X-OCN, Sony’s proprietary RAW format. The camera is capable of shooting in 5K at up to 60 frames per second, in 4K up to 120 frames per second and in FHD up to 240 frame per second. These features bring together the Cinema Line look^[3] and operability designed to meet the needs of production environments in a compact, highly portable body. This release will also include two new optional accessories: a detachable OLED viewfinder and an XLR Handle that enables recording in-camera at up to 96 kHz, 32-bit float. The camera system incorporates expertise that Sony has cultivated through the development of Cinema Line cameras, which have earned high praise from cinematographers and video creators around the world.

“The new FX5 removes creative barriers to deliver a performance and flexibility that the filmmaking community can excel with. Its compact design, image quality and workflow deliver the precise tools that take the FX series to the next level,” said Florence Quintin, Video and Cinema Marketing Lead, Imaging Products and Solutions, Sony Europe.

Price and Availability

*Pricing may vary by county and region

FX5 product feature video is available to view on YouTube.

FX5 Key Features in Detail

The camera is equipped with a full-frame fully-stacked Exmor RS™ CMOS image sensor and the latest high-speed BIONZ XR2™ image processing engine, which includes a dedicated AI processing unit.

When shooting in S-Log3, the camera achieves 15+ stops of dynamic range. The broad latitude and low-noise performance enable seamless roll-off from highlights to shadows and natural texture reproduction, even in high-contrast scenes.

Three base ISOs of ISO 800, ISO 4000, and ISO 12800 enable low-noise image expression under a wide range of conditions. The Dual Gain Shooting function^[2] supported for the first time in the FX series, maximizes the performance of the image sensor to enable smooth gradation reproduction with even wider latitude, while effectively reducing noise without compromising shadow detail.

For the first time in the FX series, the camera supports 3:2 full-pixel readout across the entire image sensor area, or Open Gate shooting^[4] as well as a wide variety of image scan modes including 17:9, 16:9, and Super 35mm. This allows flexible angle-of-view selection according to creative intent and delivery format. In addition, support for in-camera recording in X-OCN, Sony’s proprietary 16-bit scene-linear RAW format, enables high-quality recording without the need for an external recorder. In addition to X-OCN LT, the camera supports newly added X-OCN C1 and X-OCN C2 codecs. By reducing data size, these codecs enable high-speed transfer of high-quality images and reduce data volume, helping streamline post-production workflows.

Subject recognition using AI-based human pose estimation technology allows the camera to accurately detect not only the position of a person’s eyes, but also the position of the body and head, delivering high AF performance even in dark scenes. The camera also supports Real-time Tracking, which automatically tracks subjects and enables stable focus work.

When shooting with Auto Tracing White Balance (ATW), the camera uses information from visible light and IR (infrared) sensors, as well as deep learning-based light source estimation, to identify scenes with high accuracy. It achieves more stable[5] and natural white balance in shaded areas, indoor scenes, and other situations.

The camera supports noise Suppression settings(ON/OFF), enabling flexible image creation according to shooting intent and post-production workflows.

The camera also features a desqueeze function that supports anamorphic lenses, enabling shooting with 1.3x, 1.5x, 1.6x, 1.8x, and 2.0x anamorphic lenses.

The camera adopts a compact, lightweight body with a flat-top design and flexibly supports a variety of shooting styles including handheld shooting, gimbal operation, and shooting in confined spaces.

The camera also features 5-axis optical in-body image stabilisation. With the latest image stabilisation unit, the roll correction range has been expanded to approximately twice that of the previous system^[5], effectively suppressing rotational blur. In addition to optical image stabilisation and Active Mode, the camera features Dynamic Active Mode[6], enabling stable image expression even during handheld shooting.

When combined with the newly developed XLR handle unit, the camera supports high-quality audio recording of up to 96 kHz, 32-bit float, and 4 audio channels. It is also compatible with the optional 0.58-type tilting OLED viewfinder^[7] which enables accurate monitoring even in bright environments.

The camera features a 3.5-type, approximately 2.76-million-dot, 16:9 touch-panel 4-axis multi-angle LCD monitor, larger and brighter than that of “FX3.” The fully articulating monitor tilts approximately 98 degrees upward and approximately 40 degrees downward, and opens approximately 180 degrees sideways. It uses a high-brightness panel with brightness adjustable in 15 steps. Various shooting information can be displayed around the top, bottom, left, and right sides of the screen so that it does not overlap with the shooting image. In addition, the “BIG6” home screen, which inherits operability cultivated through CineAlta cameras, consolidates key settings such as frame rate, exposure, and LUTs, providing an operating environment that allows creators to focus on shooting.

The camera is equipped with a new menu system, enabling shooting with similar operability when used together with CineAlta cameras or “FX6”.

A high-efficiency cooling fan with enhanced cooling performance and an optimized heat dissipation design enable stable operation even during long-duration video recording. The cooling fan is placed in an independent air chamber. Together with a dust- and moisture-resistant design, this enhances reliability in outdoor and demanding shooting environments.

The lightweight and highly rigid body includes screw holes in various locations for directly attaching accessories, allowing flexible shooting systems to be configured without the use of a cage.

Through integration with the Monitor & Control application, the camera supports video monitoring and remote operation from smartphones, tablets, and Mac. Output from the HDMI terminal on the camera body can display different information on the camera monitor and an external monitor, or the same information on both.

The camera is compatible with the recently released high-capacity rechargeable battery pack “NP-SA100” (2670 mAh). With approximately 1.3 times the power capacity of the Z-series “NP-FZ100” battery, it supports long-duration shooting. Battery life has been improved through power management coordinated with the camera, and the camera also supports display of the battery pack’s deterioration status.

The camera is equipped with two USB Type-C™︎ ports. In addition to supporting timecode input via an optional timecode adapter cable, it supports external power supply via USB Power Delivery (PD) ^[8], enabling stable long-duration video shooting.

The camera also features a wired LAN terminal, enabling remote camera operation and stable network connection. It provides the high expandability required in professional production network environments.

Updates are planned to add support for HFR shooting up to 240 fps in X-OCN, XAVC S-I recording in a 3:2 aspect ratio (Open Gate shooting), an optimized user interface for vertical shooting, and a frame grab function.

The camera is equipped with accessibility features that support visual recognition and camera operation, including a screen reader function^[10] that reads menus aloud and an enlarged display function for menus. In addition, the mount index, multi-function dial, and buttons are designed for ease of use through shape and tactile feel, without relying solely on visual confirmation.

Approximately 30% or more of the parts used in the camera are made from recycled plastic^[11]. In addition, the production sites in Thailand and China that manufacture this camera, operate using 100% renewable energy^[12]. Sony also uses plant-derived nonwoven fabric for bags that wrap products and other items^[13], reducing the amount of plastic used in packaging and helping lower environmental impact.

Optional Accessories

This detachable viewfinder is equipped with a 0.58-type, approximately 7.07-million-dot high-resolution OLED panel^[7]. It supports HDR display with a color gamut equivalent to DCI-P3 and 10-bit gradation. The wide color gamut enables accurate confirmation of subject colors, while HDR display allows precise confirmation of details when shooting and playing back landscapes or subjects with high contrast.

The viewfinder achieves a high level of immersion with approximately 0.9x magnification^[14] and also supports switching between display modes that prioritize resolution or eye point.

It also features a tilt mechanism that moves from 0 degrees to approximately 90 degrees upward, enabling flexible and comfortable monitoring during low-angle, high-angle, and handheld shooting.

The DVF-EL1 will be available to purchase for 750EUR.

This XLR handle unit is equipped with two XLR/TRS combo terminals and supports up to 4-channel audio input. It features dual AD converters that digitally convert audio signal input from microphones with high precision and wide dynamic range and enables recording in-camera at up to 96 kHz, 32-bit float. By connecting directly to the camera body via the Multi Interface (MI) Shoe, the unit digitizes audio signals and enables stable transmission. Mounting the handle also enhances stability and operability during handheld shooting, supporting shooting styles that require both mobility and audio quality, such as documentary and news-gathering production.

The XLR-H2 will be available to purchase for 900EUR.

Using the optional USB-C to BNC timecode adapter cable, the camera supports timecode input from external timecode devices.

This enables accurate synchronization with multiple cameras and external audio devices, supporting professional production workflows based on timecode operation, including multicamera shooting, broadcasting, and filmmaking.

The VMX-BNCU1 will be available to purchase for 100EUR.

Applications Supporting Production with “FX5”

Scheduled to be available from July 2026 or later

Monitor & Control is an application that enables wired and wireless video monitoring and camera control. Version 3.0 expands multicamera control and monitoring functions for vertical video shooting, and also supports EL Zone for accurate exposure confirmation. It supports more reliable and efficient video production in response to diversifying shooting needs, including production for social media and other distribution channels.^[15]

For details, please visit: Sony

Scheduled to be available from August 2026 or later

Catalyst Prepare/Catalyst Browse, applications that enable high-precision video image stabilisation and color editing, will be integrated into “Catalyst Prepare ver. 3.0,” offering an enhanced user experience and scheduled to become available from August 2026 or later. In addition to playback and image stabilisation of footage shot in the newly supported X-OCN C1/C2 formats on “FX5” the software enables users to select and adjust footage while viewing metadata recorded during shooting.

For details, please visit Sony:

For main specifications and details, please visit the product website: Sony

Images

Notes to Editor

^{[1] Compared to “FX3”.}

^{[2] Gain is limited to the equivalent of 18 dB. This function may not be available depending on shooting settings.}

^{[3] Refers to visual expression, including the color and tone of images.}

^{[4] Available only when recording in X-OCN.}

^{[5] Compared to “FX3”. Based on Sony internal measurements.}

^{[6] In Dynamic Active Mode, the angle of view becomes narrower than in Active Mode, and Clear Image Zoom cannot be used. Dynamic Active Mode can be used when shooting at frame rates of up to 60 fps, and the available gain is limited to the equivalent of 26 dB.}

^{[7] Cannot be used together with accessories attached via the Multi Interface (MI) Shoe, such as the handle unit.}

^{[8] USB Power Delivery (PD) compatible external power supply and USB cable are not included.}

^{[9] Features and specifications are subject to change without prior nice.}

^{[10] Supported languages vary by sales region/country. Some menu items are not supported by the screen reader function.}

^{[11] Based on Sony research. Applies to recycled plastic used in the product body. ​}

^{[12] Production sites may change depending on the production period. ​}

^{[13] Plant-derived nonwoven fabric may not be available depending on the production period.}

^{[14] With a 50 mm lens at infinity, -1 m⁻¹.}

^{[15] Please check the product website for information on available countries and regions, as well as paid and free features: [Monitor & Control product website](https://www.sony.net/ccmc/)}

About Sony Corporation

Sony Corporation is a wholly owned subsidiary of Sony Group Corporation and is responsible for the Entertainment, Technology & Services (ET&S) business. With the mission to “create the future of entertainment through the power of technology together with creators,” we aim to continue to deliver Kando* to people around the world.

For more information, visit: https://www.sony.co.jp/en/ ​　

*Kando is a Japanese word that roughly translates to the sense of awe and emotion you feel when experiencing something beautiful and amazing for the first time.